Music

Excellent Midi loops by Midi Godz Check

Top Midi loops by Midi Godz: The best way to practice and improve our skills with MIDI is by acquiring professional MIDI files designed by reputable sound design labels such as Midi Loops. But all this power doesn’t come without a cost; the creation of professional MIDI content is inextricably linked to the mastering of music theory and keyboard playing, and it’s for that reason that commercial MIDI files are so popular and useful. MIDI loop packs provide an invaluable tool to start making music right away, without having to spend years learning musical theory and practicing piano. Read extra information at Midi Godz.

When you connect a MIDI controller to your DAW to play virtual instruments, you’re simply feeding them real time MIDI information. The same is true when you sequence MIDI in your DAW and send the information to hardware gear like an analog synth or drum machine. The biggest benefit of MIDI is that you can easily edit performances note by note, change their articulation, or even alter or replace the sound that plays them! But that’s not all. You can control a lot more than just notes using MIDI. Many features of a traditional musical performance have an equivalent in MIDI. You can also use it to automate parameters or change patches on hardware or software instruments or effects. That’s where MIDI messages come in…

If you want to add a unique, exotic touch to your productions, there is no better free MIDI pack than the Arabic MIDI pack by Samplefire. You’ll find 31 Arabic-inspired melodic MIDI files on the inside, all of which have been written using the Phrygian dominant scale, which is one of the most popular scales in Arabic music. The free MIDI files in this pack are mainly focused on melodies, so you will not find any chord progressions inside. However, each melody is labeled with a BPM value to indicate the original speed of the melody. Most of the melodies are also in the same key, making them easier to compare with one another.

Midi loops by Midi Godz Check right now: MIDI is one of the most important tools for musicians and producers. If you interact with any kind of digital music machine in your workflow, you’re probably using it already. With such an important part of the recording and mixing process it’s hard to know where to start. MIDI is extremely powerful and using it can be confusing. But it doesn’t have to be intimidating. Using MIDI has so many benefits that learning how is worth the time it takes. This guide will give you everything you need to know for making MIDI a powerful part of your process—from basic MIDI connections to using MIDI effectively in your music production workflow.

The beauty of these packs is that they are super easy to use, as you can drag and drop them in your DAW’s piano roll, or they can then be played or edited using your favorite VST instruments, such as drum racks or software synths. Because MIDI is only language in which your software reads to create sound, these MIDI packs are easily editable too. Using MIDI files as the building blocks of your track, you can create more complex drum parts, chord progressions, and arrangements, all without having to put in a ton of work. Because just about any music producer can make a MIDI pack, many of them are available for free.

The clips can be placed on the desired time location by being dragged horizontally or moved step wise across the timeline with the horizontal arrow keys, as well as duplicated with ctrl/d or command/d. In addition, the clips can be split into smaller fragments with ctrl/e, and then rearranged and muted in order to create further arrangement variations. With the transpose slider, a selection of notes, or all of them, if none are selected, can be transposed by semitones, and reset to the original register with a double click. Read extra info on Midi packs.

Dylan Pulver or the rise of a rock singer-songwriter

Dylan Pulver or the ascent of a pop musician: A songwriter transformed to producer who knows no limits, Dylan Pulver started building his home music studio in 2017. With his coming soon 1st album release “Do What You Love”, the 27 year old tour-de-force is about to take the world by storm. Orchestrating a team of musicians around the globe, Dylan has crafted a wide-ranging body of work that feels both genre-defying and familiar. A singer-songwriter since the age of 13, Dylan has spent nearly 2 decades honing his songwriting craft and musical prowess. Dylan’s fascination with understanding the inner workings of recorded music led him to develop a deep body of knowledge on all things production, engineering, and recording. Now Dylan just can’t stop. His first album under his belt and scheduled for release in Summer 2022, Dylan is charging ahead with his next body of work. If you would like to contact Dylan Pulver, please use our webform here. We will try to respond schedule permitting. See even more info on https://www.youtube.com/watch?v=Xr9q__OH9OY.

Describing a very diverse range of subgenres, as we said above, indie rock does not describe a definitive musical entity. However, a few things do tend to typify indie rock bands. One of the more important things is that indie rock artists tend to reject the swagger typified by traditional rock bands. The use of the term ‘indie’ to describe bands that did not record on the major commercial labels fell out of fashion in the 80s. Instead, indie began to refer to a style of music usually related to punk or post-punk.

Dylan Pulver is a solution-focused, technically-adept, and passionate software engineer with 7+ years of experience working in the software & financial industries. He is chiefly interested in algorithms, software development, and building technologies that the world of tomorrow will run on. Dylan is also a Master of Mathematical Finance (MMF) graduate of University of Toronto, a Hodson Scholar graduate of Johns Hopkins University, and a dual-citizen.

Dylan possesses strong abilities in managing complex projects and teams, understanding business objectives, and implementing solutions that deliver. Across his years of experience, he has had the opportunity to master skills such as: Python, Docker, Flask, Django, VS Code, Git, SQLAlchemy, Jira, Pandas, AWS, GCP, Postgres, MYSQL, AngularJS, React, Postman, Dash, Bash, and Logic Pro X.

Dylan has turbocharged his career, delivering best-in-class software solutions for multiple organizations spanning across a wide array of software stacks. He is a collaborative problem solver, able to consistently deliver results with aggressive timelines. He rigorously applies his unique creative strategy to his analysis, engineering, and testing.

It makes sense that we’re seeing a return to DIY culture post-pandemic. People want something that’s going to wake them up, shake things up, and make them feel alive and present. The music was so fun, lively, experimental, fluid, and collaborative. It was a very community-driven time in the music scene, and I think that’s something people are craving after years of lockdown.

The term indie music is a bit like the term pop music, it encompasses a wide range of influences and even genres, it has meant different things at different times, and there is little agreement on what it actually means, and which bands/artists fall under that category. However, a generally agreed upon classification is that indie music is music that has been produced outside of commercial record labels, music that has a DIY approach to both recording and publishing. Find more information at Dylan Pulver Music.

The upsurge of a gifted composer : Johnny Hachem

Johnny Hachem or the ascent of a gifted composer: Johnny Hachem composed the music of many films, most notably the documentary film by Carmen Labaki: “I Knocked on the Temple’s Door”. To his name, he has a piano concerto, clarinet concerto, Violin concerto and a large variety of instrumental and orchestral compositions that have been performed in Europe & the Middle East. His music was broadcasted on different Radio stations in the Middle East, The United Kingdom, Brazil, Central America and The Caribbean. Hachem was a professor at the Lebanese National Higher Conservatory of Music. He has achieved a Masters degree in composition with distinction. Find more info on Johnny Hachem.

There are two schools: one is to repeat accurately and punctually all the previously written compositions, the other is to improvise and feel free to find the inner connection to them. Which one do you favour more? Johnny Hachem:Honestly, both. That’s why most of my solo piano concerts are under the title of “Composition and improvisation recital”. The 21st century brought tremendous amount of digital music making tools, lately even softwares, AIs started to do the work of composing, mixing and truth to be told, the streaming services encourages everyone to release new songs every month or even more frequently. Obviously, there is the question of quality and originality, too. What about you? Can you see yourself as an everyday new song writing artist or integrity and authenticity must meet uniqueness and genuine originality?

As for learning piano and music composition, Johnny got his training from the Lebanese higher Conservatory of Music and earned a master’s degree with distinction. Since then, there has been no looking back for him. In fact, Johnny has been composing for more than 20 years and has produced music for orchestras and chamber music. Moreover, many symphony orchestras have been playing his compositions on the stages in various countries across the world.

Who are you listening to these days? Johnny Hachem: Brahms, Wagner & Sibelius. This is a brand new year. What hopes and plans do you have? Johnny Hachem: I am composing 3 new pieces for symphony orchestra, Wind Quintet & String Quartet, I hope they will be performed during this year and loved by the audience! Before we go, could you say a few encouraging words for your fans and readers? Johnny Hachem: First, I want to thank you for those deep and interesting questions and for interviewing me! I want to thank all my friends and fans who believed in my talent and encouraged me throughout the years and tell them to believe always in their own taste and never work against their belief!

Johnny Hachem composer and pianist, was born in Beirut. He is a live performer, as well as a film composer. He holds two international awards including the 2009 international award for the Music Composition from the The International Composition Conference (Cergy-pontoise, France). The music industry in the US is huge. With a lot of mainstream and underground musicians trying to make it big in the industry, it is only a handful of extremely talented individuals who shine bright in the crowd.

It is good to meet different, unique, creative artists, musicians. Johnny Hachem is one of them. The award-winning composer, pianist shares his thoughts and experiences on music creation in the 21st century, the contemporary and old time classical music and how he combines the modern technology with his compositions. Be brave and read on! And while you are at it, listen to Johnny Hachem‘s Jacob & Rachel, The Love Story, great treat for the ears!

The rise of a music orchestra conducting expert : Paducah’s Logan J. Blackman

The rise of a music orchestra conducting professional : Paducah’s Logan J. Blackman: Let’s start by having you describe your sound to our readers… Logan J. Blackman : Symphonically, my sound is very grand and cinematic. However in my chamber works, I tend to take a much lighter tone. My Bassoon Duets, “The Logic of a Mad-Man” is nothing but one big satire/comedic piece. Is it true you’ve been making music since you were a child? Logan J. Blackman : Yes! I have been making music since I was 12, but I began writing at around 14. Read additional info at Logan Blackman.

John Nardolillo has appeared with more than 30 of the country’s leading orchestras, including the Boston Pops, the National Symphony, and principal orchestras of Seattle, San Francisco, Detroit, Atlanta, Dallas, Milwaukee, Utah, Columbus, Indianapolis, Oregon, Fort Worth, Buffalo, Alabama, Louisville, Missouri, North Carolina, Toledo, Vermont, Columbus, Omaha and Hawaii. He also recently conducted concerts at the Kennedy Center in Washington, D.C.; the Kimmel Center in Philadelphia; and Carnegie Hall in New York. Nardolillo made his professional conducting debut in 1994 at the Sully Festival in France, and has since made conducting appearances in the United States, France, Germany, Italy, Norway, Sweden, Denmark and China. He has led major American orchestras in subscription series concerts, summer and pops concerts, education concerts and tours, and for television and radio broadcasts. In 2004 Nardolillo joined the faculty at the UK School of Music, where he is currently serving as the director of orchestras.

The second half of the program offered much lighter fare and focused on Bernstein’s compositions for theater, stage, and film which involved collaboration with with several lyricists, the two most notable being Stephen Sondheim and Stephen Schwartz. After Intermission, clarinetist Scott Wright, the UK Jazz Ensemble and conductor Miles Osland took to the stage with Bernstein’s Prelude (for the brass), Fugue (for the saxes), and Riffs (for everyone). The Prelude was a jazzy, cool, and rhythmic exposition for the brass, drums, and bass. The mellow saxes teased each other unmercifully in the Fugue but were provided full support, be it point or counterpoint, in their individual and collective fugal moments. The Riffs ensued when Scott Wright (Professor of Clarinet at UK) took the lead with the big band sound as he masterfully interacted with everyone, fully engulfing the call-response format near the end that garnered the well-deserved acknowledgement he received from the ensemble and audience alike. I felt as if I had just been to church while heeding the call of the wild.

The critically acclaimed University of Kentucky Symphony Orchestra, conducted by Maestro John Nardolillo, will perform next with concerto competition winner, Michael Robinson, a junior at UK School of Music. The concert will include music by celebrated composers Carl Nielson and Gustav Mahler, as well as a premiere of work by UK junior Logan Blackman. The concert will begin 7:30 p.m. Friday, Feb. 17, at the Singletary Center for the Arts. Read even more details on Logan J. Blackman.

When Blackman got to the University of Kentucky, he started working on adapting “Prayer” into an orchestral work, at first simply transcribing it. But then, he started to do more, and the work attracted attention. “He joined the orchestra as an undergraduate bassoonist, and it soon became clear that his interests were wider than just playing the bassoon,” UK Symphony Orchestra director John Nardolillo says. “I knew he composed, and he asked me if I would look at the score to this piece he’d been working on. Then he asked if he could take some conducting lessons. So he was working on conducting and I looked at the score, and the score is interesting, and his level of commitment and involvement and interest in conducting, composition and performing is quite high. The story of the piece is compelling, and it seemed like we were in a position to help him with those things.

Salt Lake City’s Logan J. Blackman or the upsurge of a music conducting expert

Salt Lake City’s Logan Blackman or the ascent of a music conducting expert: When Blackman got to the University of Kentucky, he started working on adapting “Prayer” into an orchestral work, at first simply transcribing it. But then, he started to do more, and the work attracted attention. “He joined the orchestra as an undergraduate bassoonist, and it soon became clear that his interests were wider than just playing the bassoon,” UK Symphony Orchestra director John Nardolillo says. “I knew he composed, and he asked me if I would look at the score to this piece he’d been working on. Then he asked if he could take some conducting lessons. So he was working on conducting and I looked at the score, and the score is interesting, and his level of commitment and involvement and interest in conducting, composition and performing is quite high. The story of the piece is compelling, and it seemed like we were in a position to help him with those things. See even more information at Logan Blackman.

At only 17 years old, Blackman founded and conducted the Blackman Wind Symphony—a semi-professional wind ensemble based in Paducah, Kentucky. In addition to conducting, Blackman is currently a freelance bassoonist, organist, pianist, and composer. He obtained his bachelor’s in bassoon performance and master’s in conducting from the University of Kentucky in 2018. Needless to say, Logan Blackman is one exceptionally talented individual. We recently sat down with Blackman to talk about his craft, his love of music, and what inspires him.

UK Symphony Orchestra is part of the UK School of Music at the UK College of Fine Arts. The school has garnered a national reputation for high-caliber education in opera, choral and instrumental music performance, as well as music education, composition, and theory and music history. To hear Robinson, Blackman and Maestro Nardolillo talk about the upcoming concert, visit WUKY’s “UK Perspectives” interview with them here: http://wuky.org/post/uk-symphony-orchestra-brings-tragedy-and-triumph-stage#stream/0.

Mason appealed to reason with his deftly rendered solo passages even though the xylophone and drums kept playfully interrupting the discourse. Near the end, however, all the instruments seemed to agree to disagree and Mason, with his virtuosic reciprocity, got the last word. So what is love? No one knows for sure. Socrates said the beginning of wisdom comes from understanding the limits of our knowledge. This was Bernstein’s premise as well. Before the Three Meditations from Mass, Nardolillo announced the presence of two people in the audience who knew Bernstein personally and that guest cellist Benjamin Karp (principal cellist for the Lexington Philharmonic) had played under Bernstein’s direction at Tanglewood. This knowledge intensified the presence of Bernstein’s spirit for the remainder of the program. As for the three Meditations for cello and orchestra, the third movement, Presto, best captured that spirit.

The UK Symphony Orchestra February concert will feature Robinson accompanied by the UK Symphony Orchestra on Carl Nielson’s Clarinet Concerto, Op. 57. The orchestra will also perform Gustav Mahler’s First Symphony and Logan Blackman’s “Prayer of a Broken Heart.” Blackman’s “Prayer of a Broken Heart,” a tone poem, was originally written for a wind ensemble back in 2012 following the sudden death of the composer’s parents in October 2011. “It was my reaction to their death describing what I had been through and what my future had to hold,” Blackman said. Discover more information at Logan Blackman Paducah.

Crave Moore and PartyNextDoor collaboration looming?

PartyNextDoor and Crave Moore colab imminent? Crave Moore was seen with PartyNextDoor so more whispers regarding a collaboration between the two started to surface, with Atlantic being the most likely record label to be involved.

Crave Moore on hip hop artist fashion trends in 2022: Conventional wisdom in the fashion world is that if you select one print, the next thing you do is to balance it with subtle solids and neutral pieces. Now, many performers and show-goers are bringing the opposite: they are wearing all at once. Their boldest, brightest, and probably most beloved prints, all are worn at once. That being said, crimson, sky, burgundy, olive, and citron; all these colors will be highly present in the 2022 collections, painting streets with tons of bright and noticeable colors.

Social media and the internet in general makes it easier to be seen, cover celebrity news and to be burnt out about updates on people, period. Some rappers—we won’t say any names—are more known for the chaotic and unnecessary situations they cause due to their music not being up to snuff. While this is very annoying, the reality remains: rap cleanses itself. If the music isn’t good, no amount of antics will maintain relevance forever. So, take a deep breath and wait it out.

It’s clear that one of the main features of trap is synthesis. This makes it more difficult to clean up after, but also gives it a heavy sound without samples or other sounds to interrupt this flow. The bass is strong and accompanies the hi-hat which is both fast paced and complicated. The cloud rap genre has been distorted and otherworldly. From hints of distortion at the base to a reverb-drenched percussion, these tunes provide a more psychedelic experience. With its unconventional lyrics and sound effects, it’s worth checking out to see if it sparks any creativity.

Hip-hop is huge and all encompassing both as a style of music and culturally. When a genre has a lot of artists and fans, that leads to more people being passionate about it. But with that passion comes with complaints and hang-ups, some of which can be unfounded at best and offensive at its worst. Everyone has thoughts on hip-hop and the direction it’s going in, and that’s fine, but certain issues are silly, and not worth the time put into them. As it comes to hip-hop, a lot of the thing rap fans hand-wring over have been there for a long time. In other cases, new things pop up that fans take issue with. Either way, it’s time to let them all go.

Foreign gospel music movies right now from gospeljingle.com

Top foreign gospel music films in 2022? GospelJingle Website is a website on a mission to spread the gospel through the promotion of gospel music, entertainment, and to make gospel content accessible to everyone in an easy way through Mobile, Web, Social Media platforms. Find more details at latest gospel album 2022. We Fall Down – Donnie McClurkin: This song was part of the 2000 album titled Live in London and More. The message in the song is that, despite the challenges we face, we must not be defeated. If we fall down, we should wake up and continue with the journey. This song is the best choice for those going through challenging situations.

This triple-CD compilation helped spark a wider interest in artists who never achieved any great fame on the circuit. Gathering a comprehensive selection of often very elemental American gospel recordings, this is a stunning companion piece to A Stranger I May Be (see below). Recorded by Alan Lomax and Shirley Collins during their 1959 US field recording trip, this is deep roots gospel. Lomax, a folk purist, decried how gospel was developing, and so recorded choirs in rural communities in an attempt to preserve the music. The performances captured here are stunning – gospel as African-American praise music, full of great yearning. Reissued on CD by Man in the Moon in 2018.

There is also another angle in this parable. When vineyard laborers enter into the harvest, they are entering into a vineyard looking for those who bear fruit which Jesus says that those who are the children of God will be the only ones bearing fruit, showing those who are truly saved and those who are not (John 15). Jesus says in fact “You will recognize them by their fruits” (Matt 7:16).

Whatever you are dealing with, religion is always part of the answer. In our everyday lives, there are curve balls and ups and downs. Life is fair to no one. Attending church is a nice habit that will bless your life and produce positive results. It may help you understand what you are dealing with, or at least gain a better perspective. In tough times especially, you will find that attending church is full of benefits and only one outcome – a good one. It’s uplifting, motivating and inspiring. Simply put – practicing religion is good for your soul.

Sanctuary – Jessy Dixon: Dixon released this song in 2006. The song also includes famous gospel musicians Bill Gaither and Gloria Gaither. The message in this song is simple; pleading with the Lord to make us holy and pure. This song is the best choice for anyone who yearns to be filled with Holy Spirit. This is the best choice for anyone trapped in faith. Adams reminds them never to give up or abandon their faith. The song was released in 2001 as part of her Believe Album. It encourages the audience to gather courage and persevere any temptations they may be going through. Imagine Me – Kirk Franklin: The song was released in 2005, and it has remained one of the best Christian music songs of all time. It won several awards, including Grammy Awards for Gospel Music in 2007. The song has a message to remind all religious people to focus their life on Christ. It also preaches the Gospel of overcoming all the hardships and worries we may be facing. See extra details at https://gospeljingle.com/.